Affichage des articles dont le libellé est Robot Ate Me. Afficher tous les articles
Affichage des articles dont le libellé est Robot Ate Me. Afficher tous les articles

dimanche 6 novembre 2022

Not like the typical music festival (Part. 1)

Critères constitutifs d’un festival musical idéal (selon moi) :
- jauge restreinte (donc à taille humaine)
- bonne programmation
- bonne ambiance
- cadre appréciable

Le troisième point pouvant aller jusqu'à une proximité entre public et artistes, ainsi qu'entre artistes (je pense par exemple au Mo#Fo 2003).

Relevons tout de même que je peux me satisfaire d'un festival ne réunissant que trois de ces critères. Les remplir tous induit un but non lucratif et une programmation à la fois pointue et cohérente.

Des exemples ?
Peut-être le "What the heck" festival à Anacortes (WA), auquel j'ai longtemps rêver me rendre. Si vous suivez assidûment ce blog, le nom de cette ville située entre Seattle et Vancouver (donc en face de Victoria) ne vous est pas inconnu. Lieu de résidence de Ryland Bouchard [the Robot Ate Me] que j'interviewais il y a 10 ans... et de Phil Elverum [the Microphones / Mt Eerie].


Ce dernier est d'ailleurs l'un des cofondateurs de ce festival, fondé en 2002. L'idée de départ était simplement d'ouvrir une scène dans le cadre de la grande braderie annuelle d'Anacortes.
Et puis le projet s'est étoffé, jusqu'à de bien belles affiches : Calvin Johnson, Mount Eerie, YACHT, The Blow, Laura Veirs, Little Wings, Thanksgiving, Karl Blau, D+, Earth, Arrington de Dionyso, Wolves in the Throne Room, Kimya Dawson, Grouper, No Kids, Ô Paon, Mirah, Tara Jane O’Neil...




Laissons Phil en parler :
From 2002 to 2011 we held a weekend festival of music and other stuff every 3rd weekend in July at various spaces in Anacortes, Washington. It was called “What The Heck? fest”. People came from all over and it was awesome. It was not like the typical music festival, with beer sponsors and dehydration rehab tents and golf carts for the bands. It was a small town version where everyone hangs out together and discovers new slang and eats food. 

En 2011, le festival laissera la place aux "Anacortes Unknown Music Series” (Quatre éditions entre 2012 et 2014)... Et puis plus rien jusqu'à un éphémère retour à la vie du WTH fest en 2019, en même temps que Phil Elverum réactivait "The Microphones".

Heureusement, j'ai depuis trouvé un autre festival de rêve auquel je n'irai jamais !
La suite, demain prochainement...

D’ici là, vous pouvez :
- regarder ce court documentaire, feat. Phil Elverum et feu Geneviève Castrée 
- parcourir le tumblr des "Anacortes Unknown Music Series" pour y voir Phil et sa clique, percevoir leur investissement ainsi que l'attachement à leur ville

jeudi 8 novembre 2012

A part of each other - a Ryland Bouchard interview

Il y a dix ans paraissait "They Ate Themselves", le premier album de the Robot Ate Me. Venu à ce groupe de proche en proche grâce à son label Swim Slowly (celui de Bedroom Heroes, quant à eux découverts via epitonic.com), je me souviens qu'une poignée de secondes auront été suffisantes pour que je m'attache à cette musique pop/folk expé délicate, et que je commande le disque.

Aujourd'hui, il reste pour moi comme l'un des meilleurs disques des 00's (cf. page Hit Parade). Depuis cette époque, j'ai naturellement suivi la trajectoire du groupe, puis celle en solo de l'homme derrière tout ça, aka Ryland Bouchard (déjà évoqué ici-même, lors de sa venue parisienne début 2oo9).


Vendredi dernier, il publiait sur son tumblr le message suivant :
The Robot Ate Me - “A PART OF EACH OTHER”. A preview of the upcoming album, written and recorded on Guemes Island, WA in 2012. Recorded by Ryland Bouchard with Tony Ruland (guitar) and Chad Matheny (drums).
[Flash 9 is required to listen to audio.]

Disons-le, c'est quand même LA bonne nouvelle de cette fin d'année... (de nature à différer la rédaction de mon top de fin d'année)

Les infos étant minces, et la parole de Ryland Bouchard rare, je me suis décidé à lui en demander d'avantage, ce qui amène finalement l' e-mail interview ci-dessous
(réalisée pour Arise Therefore, donc).



Where do you live now? On Guemes Island? How is it?
According to some photos you've posted on your tumblr, it looks like a very nice place...
I live on Guemes Island off the coast of Anacortes, WA. I moved here in March and it was the best decision I've ever made. The island is only accessible by ferry so there's only about 200 people that live here. The roads are quiet and people are extremely friendly. Walking around here is like moving back in time about 100 years where the landscapes were natural and people were happy. Living here I spend time outside in the garden, go to the beach, forage for mushrooms and work on music. I rarely see other people and avoid technology, which has been quite nice.

Anacortes (Etat de Washington), sur Google Maps.
Petit tour d'horizon musical : Anacortes est la ville d'origine de Phil Elvrum. Juste au Sud, Le Mont Erie... Plus loin, dans la même direction à 130 km, Seattle [Nirvana]. Immédiatement au Nord, Guemes Islands [Ryland Bouchard]. Encore plus au Nord, au-delà de la frontière canadienne, Vancouver [Destroyer]. A l'Ouest, toujours au Canada, Victoria [Frog Eyes]. Le mieux serait encore que vous vous familiarisiez avec les environs à partir de ce lien googlemaps.

Is Anacortes where you came to know Tony Ruland (guitar player on the next Robot Ate Me album, but also in a band called the Lonely Forest) and Chad Matheny (drummer on the next Robot Ate Me album, but also releasing music as Emperor X)?
I met Tony Ruland while living in the Department of Safety in Anacortes (an old Firehouse turned music venue/art space). The two of us lived with six girls (who were all constantly fighting) in the freezing building without predictable heat or hot water so we naturally became friends. We've stayed in touch over the years and it's been wonderful to see his band grow musically over the years. I'm constantly amazed at all the creative energy that comes from this small town in WA. There is an unexplained "magnetic disturbance" off the coast of Guemes Island, so it's possible that explains something...

Chad Matheny and I met prior to a short tour in Mexico where we played several strange shows together. I had no knowledge of his music before we met, but quickly realized he was not only a wonderful person but brilliant musician. After our tour in Mexico we toured together for months across the US in my old '78 Peugeot 504 that continually broke down, but still managed to survive the tour! That was a difficult time. I had just released "Seeds" and spent all my money on the packaging for that release - and had nothing left to spend on promotion. The tour went on for 6 months (including dates in Europe) and Chad played all the US shows with me. To this day he is still one of the nicest and hardest working musicians I know.

Same question with Phil Elvrum (the Microphones, Mt Eerie...) Have you ever played music with him?
Phil and I both work excessively when we are in town so we rarely see each other - but I have nothing but respect for his work ethic and music!


I'm writing these questions down, while listening to "They Ate Themselves". It was released ten years ago ! What are your feelings / thoughts over this decade?
That's funny you mention "They Ate Themselves" - today I was at the "Coop" about an hour from my house (a place that sells food from local farmers) and the person at the register introduced himself and said "They Ate Themselves" was still one of his favorite records.


I am very thankful for the last 10 years, having spent most of it travelling, meeting new people and learning about various cultures in a very personal way - and that all this was possible because of music. I believe that if most people had the opportunity to travel as I have they would realize that we are all very similar and need similar things for happiness and survival. The differences that divide people are often imaginary and trivial.


What made you consider reactivating "the Robot Ate Me" ? 
"The Robot Ate Me" started as a project for experimentation and will remain the outlet for my more experimental work. People are okay with experimentation from a band, but not from a folk singer. Similarly people expect a folk singer to consistently release folk music. By reactivating "The Robot Ate Me" I'm just making things easier for people to understand.


So, what can we expect with the new album (not yet titled) ?
The new album was written over two years in various locations across the country. Depending on where I was living I collaborated with different people. Some of the songs were recorded with DL in Knoxville, TN (I Need Sleep / Dumb Lunch) and others with Chad Matheny (Emperor X) / Tony Ruland (The Lonely Forest) in Anacortes, WA. Each track was constructed and then deconstructed many times before the final version. In many cases none of the original tracks remain. My process was creation (or imagination) through elimination. Vocals were recorded and then the instrumentation was removed and restructured in different keys or relative majors/minors. Tracks were recorded and deleted to the point of near insanity with the goal of eliminating conscious thought. By working blindly you often stumble onto ideas greater than your own.


The process could be compared to the recording of Talk Talk's "Spirit of Eden" or Brian Wilson's "Smile". I dislike the sound of modern recordings that sound clean, perfect, and digital - so I spent what feels like forever slowly crafting this record on about 10 two inch 16 track tapes (about 30 minutes of music each) and then bouncing those tracks between various tape machines for the final version. In general, although the process has been tedious - the final results sound like nothing else - so it's a bit hard to make an honest comparison.


Let's be concrete : Release date? Formats? Nice packaging as usual?
The upcoming release is going to be exclusively digital. I expect the release to be available in the first weeks of December (if not sooner). No pre-order. I have some wonderful artwork in mind by a deceased Danish artist that is quite fitting for the new release.

I have tried everything (vinyl, CD's, MP3, box sets) and out of every format I now prefer digital because it allows me to focus on music and not be bothered by the "music industry" aspects of releasing a record. Friends of mine have been burdened with mailing out vinyl endlessly or negotiating contracts with major labels and I feel very fortunate to not have any of those worries. I value the tactile aspects of previous releases - but overall I believe digital releases are the future of music and everyone holding on to the past will die trying to preserve formats that are no longer relevant.


Will you come back to France?
Yes, I hope so!


Interview réalisée par e-mail le 6 novembre 2012, à la veille d'une séance de travail visant à la finalisation de l'album (à paraître en digital, début Décembre). Merci à Ryland Bouchard.

Ecoute / Achat :
De jolies photos des environs de Guemes Islands

Moran State Park

mercredi 20 janvier 2010

10 ans, 30 albums (Part.4)

Quatrième salve de la série "10 ans, 30 albums".
Montréal Power. Du moins en partie. Avec Arcade Fire, et les québécois de Malajube, qui ont sû rendre la langue française fluide sur des chansons pop comme personne avant eux. Avec surtout the Unicorns, meilleurs représentants de l’indie pop des 00s, trio aussi brilliant que fulgurant, que je regretterai toujours d’avoir raté une certaine semaine d’août 2004, dans une salle improbable de l’Ouest parisien. En 2006, je me consolais avec Islands. En 2009, avec Clues. Proche de tout ce petit monde, en tout cas dans ma discothèque, the Robot Ate Me, disque sans doute le plus méconnu de ma sélection, et Minus Story, qui après un album lo-fi remarquable, a réalisé là l’album parfait. Je réalise avec curiosité que ces groupes partagent dans leurs paroles une thématique récurrente : celle de la maladie et de la mort. Who will cut our hair when we're gone? A part ça, tout va bien.

the Unicorns - Who will cut our hair when we're gone? (Alien8, 2003)
Malajube, Trompe l'oeil (Dare to Care, 2006)
Arcade Fire - Funerals (Merge, 2004)
the Robot Ate Me - they ate themselves (Swim Slowly, 2002)
Minus Story - No Rest for Ghosts (Jagjaguwar, 2005)
(Avant-dernière partie, demain!)

mardi 6 janvier 2009

All Good Things

Il fallait hier braver le froid et le verglas pour se rendre à Mains d'Oeuvre, où se produisait Ryland Bouchard (the artist formerly known as "the Robot Ate Me"). Il fallait sans doute connaître aussi, et ne pas craindre un concert trop minimaliste, comme peuvent le laisser craindre, il faut bien le dire, ses dernières productions.
Ces critères combinés, puis rapportés à l'échelle parisienne, aboutirent à un public d'une vingtaine de personnes environ (dont quelques têtes connues, vues d'ailleurs dernièrement au concert de the New Year).

Parfois accompagné de Shane Aspergren (Berg sans Nipple) à la batterie, mais la plupart du temps seul à la guitare, Ryland Bouchard a donc livré une très jolie prestation, alternant pièces de Seeds avec quelques morceaux antérieurs (extraits notamment de "Carousel Waltz").


Un peu plus tôt, dans l'après-midi, j'enregistrais une session avec lui dans les studios de Radio Campus Paris. Un garçon, qu'en toute nuance, je qualifierais d'extrêmement timide.
Voici un extrait de l'enregistrement, avant sa diffusion officielle, fin février / début mars.

Tout ceci me fait dire qu'il y avait matière à un très chouette "concert en appartement"

Ryland Bouchard, Seeds (SwimSlowly, 2008)
www.rylandbouchard.com
www.myspace.com/therobotateme


jeudi 31 janvier 2008

Regret

Regret won't change who you are,
Unless you take its lessons too far
Look out, for the road gets rough.
Look out, for you've had enough.

Change isn't a way
To blame your mistakes
On the choices you've made.
Come back, from your lonely stand
Come back, face the world you've left.

Carousel spin over our heads
Come share the sunshine
With your life as the light.

My life won't change at all,
Unless I live what I've lost.
Give more, before I give up
Live more, before life isn't enough.

Carousel spin over our heads
Come share the sunshine
With your life as the light
With your life as the light
With your life as the light

the Robot Ate Me - Regret
Carousel (5RC, 2005)
www.myspace.com/therobotateme